SinglePeriodTimelines can all use the same identifier, as their identifier is
wrapped in a pair with the (fixed) source index when they are concatenated with
other sources' timelines.
-------------
Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=130386297
This is a 1:1 mapping. This change formalises the fact,
and makes it possible to easily query the mapping.
-------------
Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=130375111
- This avoids the need to have to use the timeline to
calculate a window duration, which can be awkward.
- Window now represents a window of availability with
an isSeekable flag, rather than a window of
seekability.
- Promoted Timeline and Window to top package; they're
pretty important :).
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Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=130278509
This is in preparation for making it so that periods aren't reused.
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Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=130113382
- For audio/video, we should report the minimum largest
queued timestamp. This ensures that buffering continues
rather than stops in the case of bad sample interleaving.
- If there are "sparse" tracks then they should be ignored
for this calculation, otherwise the buffered position can
end up getting stuck at some small value (e.g. if there's
a text track containing a single sample with a small
timestamp).
- In the edge case that there are only "sparse" tracks, we
probably want to take the maximum largest queued time
instead.
-------------
Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=130094266
*** Reason for rollback ***
Referential equality was probably the right thing to do, since using .equals
breaks track selection in the case that a source exposes two or more tracks
whose formats are equal. We should fix the way overrides work instead.
*** Original change description ***
Fix multi-period transitions with track selection overrides
An override applies across periods provided they expose the
same track groups according to .equals, but the formats in
the override are then compared against the period's formats
according to ==. Use .equals consistently to fix.
***
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Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=130083840
This change allows MediaPeriod instances to replace
SampleStream instances when the selection isn't changing.
It also allows MediaPeriod instances to retain a
SampleStream but indicate that the renderer consuming
from it needs to be reset.
The change is used to fix the ref'd bug, and is used to
do the same thing in HLS without the need for the source
to report a discontinuity. Note that reporting discontinuity
could cause unnecessary failure when used as a child of
MergingMediaSource.
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Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=129971782
Referential equality is going to become important for detecting
whether a SampleStream has been replaced, so we need to create
new instances as we do elsewhere.
This also enables multiple SampleStreams to be provided for a
single TrackGroup, as is also true for DASH and SmoothStreaming.
It's forbidden to ask for multiple SampleStreams from a single
TrackGroup currently, but we may choose to relax that at some
point (and indicate whether it's allowed as a flag on each
TrackGroup).
-------------
Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=129842336
An override applies across periods provided they expose the
same track groups according to .equals, but the formats in
the override are then compared against the period's formats
according to ==. Use .equals consistently to fix.
-------------
Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=129081591
When seeking to the default position in a period, the containing source may
actually return a position in another period. Multi-period live sources can do
this to seek the player to the live edge.
ExoPlayerImplInternal uses the same functionality when the playback position
reaches the end of a period to determine what period/position to play next.
This means that when playback transitions to a multi-period live source from
some other source (playing a concatenation of those two sources), the player
will play the live edge rather than the beginning of the earliest period.
-------------
Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=128984355
This change merges the duties of FormatEvaluator into
TrackSelection classes, so that both the static and
dynamic parts of track selection are implemented in a
single place.
New feature: Demo app now allows you to enable random
adaptation in the track selection dialog.
Notes:
- It should be quite easy to allow application side
track blacklisting in addition to source side, as an
extension to this. That would effectively allow
applications to do seamless/deferred track selection
by creating a TrackSelection with all tracks enabled,
and then toggling the blacklist flags to select the
ones they want to be active.
- It should be trivial to implement format blacklisting
for DASH and SS as an extension to this. Will do in a
follow up CL.
-------------
Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=128707517
- Invoked --> Called
- Gets --> Returns
- "True if X. False otherwise." --> "Whether X."
- Removed some @returns where the Javadoc is in "Returns X" form
-------------
Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=128678638
As per the spec of MediaPeriod.getDurationUs, when a live
stream ends we need to start returning the correct final
duration.
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Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=128471183
We were forgetting to reset renderers during track
selections where muxed media is used.
-------------
Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=128391816
It's only "needed" for HLS, and this requirement will
go away soon. It's safe to remove the flag ahead of
this because a TrackSelector can/should not attempt to
adapt between multiple audio/text tracks.
Also remove unnecessary restrictions on TrackGroups
being non-empty and only of known types.
-------------
Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=128376601
- TrackSelection now exposes the selected formats, ordered
by decreasing bandwidth. This removes the need for DASH,
SS and HLS to do the sorting individually.
- The change also removes the need to reconstruct TrackSelection
instances with a different group index in various places
(e.g. MergingMediaPeriod).
- This is also a step toward potentially packaging the
FormatEvaluator inside of the TrackSelection (TBD).
-------------
Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=128159064
According to the spec, there is no mandatory relation between segments'
sequence numbers of different variants. This CL ignores sequence numbers
when switching variants:
* In vod, the switching playback position is obtained by adding the
duration of previous segments.
* In live playback this is not possible. It is assumed that the
different live media playlists do not drift apart too much, so
the playback position is obtained by subtracting the duration
in reverse order.
In later CLs, the described mechanisms will become the fallback methods
by replacing them with the use of EXT-X-PROGRAM-DATE-TIME information
or more reliable sources.
-------------
Created by MOE: https://github.com/google/moe
MOE_MIGRATED_REVID=128072663
